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We're interested in the conflict between functional transport design, railway iconography and street art.  We're exploring the boundaries between the two, mischief making, creating something new.

Over the last 200 years, transportation signage has been systematically stripped of any potential secondary meaning.  We've learned to take those signs seriously, to trust without thinking.

In a world where truth has become increasingly subjective, our work intentionally pays tribute to the minimalism of the original art while subverting its dictatorial nature.

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